and i – iv –i for the next two measures, Pianist Burns trades some snappy solos with guitarist. 11,778 views, added to favorites 238 times. Primarily JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Tenor saxophonist Cobb leads his group through a hip, swinging interpretation of the song that reads slightly off-tempo due, in part, to the intriguing drumming of Arthur Taylor. Copyright 2005-2020 - JazzStandards.com Dizzy Gillespie’s 1948 version has a mixture J. Brooks Atkinson, theater critic for the New York Times, called the show. Copyright 2005-2020 - |

The first was the then-successful but now largely forgotten 1930 film starring Grace Moore, Lawrence Tibbett, Adolph Menjou, and Roland Young. Lover Come Back To Me Bobby Darin. 3rd in the bass) – IV –

According to David Ewen in his book, All the Years of American Popular Music, “Lover Come Back to Me” was. solo piano version. Biographies Beyond his melody, jazz musicians appreciate the “Lover Come Back to Me” chord progressions, which are often used as the basis for improvisations; one example is Art Blakey’s “Quicksilver.”, William Zinsser in Easy to Remember: The Great American Songwriters and Their Songs relates how Hammerstein turned over his lyrics for “Lover Come Back to Me” to Romberg, only to have the composer prop them on the piano, mumble them as he played the corresponding notes, and then declare, “It fits.”, Musical analysis of Theory Your comments are welcome, including why you like ... one of Romberg’s most beloved melodies, though not his most original, since its middle section makes more than a passing reference to Tchaikovsky’s piano piece June Baracolle. | Jazz musicians, fans, and students of all ages use this website as an educational resource. treatment, and that same year, trumpeter Roy Eldridge “Lover Come Back to Me” was recorded numerous times during the show’s run with three recordings making the Top Ten: Later recordings of “Lover Come Back to Me” to make the pop charts included: Loosely based on an eighteenth century autobiography, The New Moon tells the story of a French aristocrat with revolutionary sympathies who is arrested by the French authorities for being an enemy of the state. | “Lover Come Back to Me”. Chet Atkins "Tiptoe Through The Tulips With Me", Chet Atkins & Les Paul, "It's Been A long, Long Time", Chet Atkins "Ready For The Times To Get Better", Chet Atkins, from Solo Sessions "Walk Don't Run", Chet Atkins "Oh Baby Mine I Get So Lonely" (Unreleased recording), Chet Atkins Live at Bottom Line NY 「lover Comeback To Me 」, Fingerstyle Friday #8 - Lover Come Back - Pauli Halme, Chet Atkins "Chopin Waltz No 10 in B Minor", Lover, Come Back To Me By Chet Atkins & Les Paul, Chet Atkins "Cosmic Square Dance" with Mark Knopfler, Show the world what you are playing with ChordU.

“rules” of proper voice leading, making

3, The Trio, This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with chordal sequences do, however, use enough Lover Come Back To Me Chords by Diane Schuur learn how to play chords diagrams. Bookstore "Lover, Come Back to Me" Music: Sigmund Romberg Lyrics: Oscar Hammerstein II Ar This charming performance begins with over two minutes of rhapsodic piano, making it all the more effective when the trio launches unexpectedly into an infectious swing groove. Audio samples are below the video player. Altered chords (variations of the original chords) make a song sound even more rich and professionally arranged. recorded his big band version. than i – iv – i – V7 in the first four measures $24.99 Chords for Chet Atkins "Lover Come Back to me". Series: Lead Sheets: Melody line, lyrics and chord symbols, The World's Largest Source for Music Publications, Series: There “A” is in Ab major, changing to F minor

Other hit songs from Romberg/Hammerstein score were “Marianne” (the B-side to “Lover Come Back to Me” by the Arden-Ohman Orchestra), “Stout-Hearted Men” (the B-side to “Lover Come Back to Me” by Perry Askam), and “Softly As in a Morning Sunrise,” and “One Kiss” (both on a recording by Nat Shilkret and His Orchestra). Permission & contact